scott lafaro car accident

Little was as star-crossed as LaFaro, and hes usually talked about in conjunction with altoist Eric Dolphy as often as LaFaro is with Evans. She had lost her husband, then four years later lost her son, and she still had young kids to raise. Both Nat Hentoff and Ralph J. Gleason took note. Born in Irvington, New Jersey, the son of a big band musician, Rocco Scott LaFaro (April 3, 1936 - July 6, 1961) was five when his family moved to Geneva, New York. Scotty grew up in Geneva, where his father Joe, whod played with the Paul Whiteman and Dorsey Brothers orchestras, earned a living as a violinist and shared his fondness for both classical music and big band jazz with his children. Security video shows a crash in the Reseda neighborhood of Los Angeles which left a driver dead. Born in Newark, New Jersey, he was an influential jazz bassist best known for his work with the Bill Evans Trio. Performers: Ornette Coleman, as; Don Cherry, c; Scott Lafaro, b; Ed Blackwell, d. New York City, 31 Jan 1961. LaFaro was honored in 2012 in Geneva, where a street was renamed Scott LaFaro Drive and an annual Scott LaFaroDay was inaugurated. He was a musician from age 4. This website is using a security service to protect itself from online attacks. The BMW then struck a fourth car which was traveling south on Corbin Avenue. And there truly couldn't be a better way to . Many believe that Evans never fully recovered from the loss, as well as that it contributed to his pattern of heroin usage, an addiction that would later kill him. Bill Evans Trio. Put one way: Scott LaFaro was up for it. Tragically, LaFaros chance to see how far his talent would take him was cut short when he died in a car crash near Geneva in July 1961 at the age of 25. Pictures of people only please! I would love to see it. Tom holds a BA from the University of Massachusetts, Amherst, where he majored in English and African American Studies. It is LaFaros bass that makes this thing go, such as it does go. That left air and spaceand timewhich could do with some filling, some shaping. Grit is not a LaFaro staple, but that does not mean texture isnt. Also included is "Porgy", originally omitted for lack of space.[]" Friedman relates inJade Visions,He used to play my piano, and was very interested in minor 7thchords with the flat 5th. Tracks. That huge sound and strength of attack is finger-sprung alone. Gleason commented, It is, however, as a vehicle for bassist Scott LaFaro that the LP really impresses. Later in the year, he toured and recorded with the Cal Tjader-Stan Getz Sextet. [My] early years at the university were thoroughly engaging intellectually but were also a time of deep introspection. Read about our approach to external linking. The group attended the funeral in Geneva, which Kuhn adds was closed casket., LaFaro's death was devastating to Bill Evans. Scotty sat in. When Scotty was in sixth grade we took our first piano lessons. It will be observed on his birthday anniversary, April 3. Thanks to Rifftides readers Frank Roellinger and Svetlana Ilyicheva for alerting us that last Thursday, Geneva honored LaFaro on his 78th birthday by proclaiming April 3rd its first annual Scott LaFaro Day. It was released in 1962. For the 1964 album with Monica Zetterlund, see, The Complete Village Vanguard Recordings, 1961, "Bill Evans Trio: Sunday At The Village Vanguard & Waltz For Debby", Plays the Theme from The V.I.P.s and Other Great Songs, Turn Out the Stars: The Final Village Vanguard Recordings, Consecration: The Final Recordings Part 2, On Broadway Vol. I adored him, and I was thrilled to be able to work with him. They worked together with vocalist Dick Haymes, whose road show included dancers and a comic. LaFaro is heard soloing while George Duvivierplays the bass riff that Percy Heath had introduced on the first recordings of "Django" by the Modern Jazz Quartet. Available Qualities. Expansive range was a totem of the LaFaro sound, the idea that the bass was so much a bass that it was also not a bass and more than a bass. I quit very fast, but he was a natural. Labels. The highlight of the session was Scotts original, Misery (to Lady Day). Evans biographer Peter Pettinger said of the dedication to Billie Holiday, Not much happens, but a wavelength is established. 4 or The Paradox of Continuity, The Montreal Tapes: with Geri Allen and Paul Motian, https://en.wikipedia.org/w/index.php?title=Waltz_for_Debby_(1962_album)&oldid=1139601889, Short description is different from Wikidata, Album articles lacking alt text for covers, Articles with unsourced statements from January 2021, Articles with MusicBrainz release group identifiers, Creative Commons Attribution-ShareAlike License 3.0, Note on the alternate takes: "For this CD release, alternate versions of three of the six selections have been inserted just after the ones originally chosen for issuance.[] Bassist Dave Green joins Alyn Shipton to pick the highlights of these, and to trace the other significant records in LaFaro's brief but brilliant career. comments . According to Paul Motian, the death of LaFaro left Bill Evans "numb with grief", "in a state of shock", and "like a ghost". In his playing you can hear how happy Evans is to have this helmsman at the back of the boatI think it helped him see better at the front. By. Elsewhere, a legacy is a reflection on what might have been, based on a limited amount of what was. Kuhn is uncertain about exactly where he met LaFaro, but says it was most likely when he heard the Evans trio at the Five Spot late in 1959. [1] For a time, Haden and LaFaro shared an apartment. This page was last edited on 24 February 2023, at 08:03. Chuck and Gap Mangione were among the locals hanging out that night, andJade Visionsincludes Gaps recollection of listening to Chet Bakers recording of Grey December with Scotty. I never knew how Scotty felt about my playing until Paul told me later that the first time Paul heard me it was because Scotty had dragged him out in a snowstorm, "You've got to hear this great bass player with Ornette!"[18]. Search Music. [1] He played in groups at the College Spa and Joe's Restaurant[4] on State Street in downtown Ithaca. Smith Opera House is owned and operated by the Smith Center for the Arts, a private not-for-profit 501(c)(3) corporation. We were the kind that played a fraction, a millimeter behind. He practiced from sheet music for the higher-pitched clarinet to improve his facility the upper register for bass. [3] He took up double bass at 18 before entering college because learning a string instrument was required of music education majors. She recalls that Zoot Sims so impressed her brother that he was impatient for the intermission to end, and that bassist Leroy Vinnegar hummed all the while he was playing, a habit Scotty later developed as well. Helene says he talked about seeing Duke Ellington for weeks, shaking his head in disbelief of howthey could fool with the melody and make it so much more. As for religion, she says that whenever shes asked, I always answer, We went wherever the music was best. That was Dads criterion, be it a mass at a Roman Catholic church or Friday evening Shabbat dinner at the cantors home., Scottys first instruments were piano, clarinet, and tenor saxophone. Read More Joe Williams: Beyond the Blues, As a JazzTimes writer, I can talk about the powers of a dynamic drummer until Im blue in the face: the weight of each tom-toms Read More Chops: What Bassists Listen for in Drummers, America's jazz resource, delivered to your inbox. Ted Gioia, in his 1997 survey,The History of Jazz, said, "LaFarotook far greater chances, departing markedly from the traditional walking line, instead offering countermelodies and guitar-like phrases. 52.119.1.55 My dad took Scotty to see anyone who came there, or to Syracuse or Rochester. [17], When I was in L.A., Scotty LaFaro and I roomed together. 1998 Kevin Crosby. LaFaro-Fernandez: After Scotty played at the Newport Jazz Festival with Stan Getz (July 1961), he went to Geneva to try to convince the people who had been renting our house to buy it. Later we moved to Elmwood Place, and during the summer we would spend many of our days at the Brook Street Playground. Tonight Show, 14 Feb 1957. Brockton-born alto player and clarinetist Dick Johnson was also on the band. He played sessions at the Lighthouse in Hermosa Beach, and roomed with fellow bassist Charlie Haden, who recalled the first time LaFaro mentioned Bill Evans. According to Paul Motian, the death of LaFaro left Bill Evans "numb with grief", "in a state of shock", and "like a ghost". Having followed him out to Los Angeles in the late 1950s along with the rest of the LaFaro family, LaFaro-Fernandez still lives in California and continues to answer daily inquiries about her brother, conduct interviews, and ensure his legacy will inform musicians and fans for generations to come. The loss of LaFaro hit Evans hard, and he went into a brief seclusion. Later we moved to Elmwood Place, and during the summer we would spend many of our days at the Brook Street Playground. . https://www.youtube.com/watch?v=faSD3g1ndHE, LaFaro began working regularly with Ornette after Evans became ill with hepatitis in July 1960 and went to Florida to recuperate at his parents home amid rumors that hed died. On December 19 and 20, he took part in John Lewis, Gunther Schuller, and Jim Halls Jazz Abstractions sessions, with buddy Bill Evans and Eric Dolphy. Cloudflare Ray ID: 7a154b16ff047cd4 LaFaro originally played clarinet and tenor before settling on bass while in college. He played a lot of top, cymbals, and Scotty wanted more drums, says Kuhn. A master of the upright bass, he recorded with Bill Evans and Ornette Coleman before he died in a car crash at age 25. I suppose technically, yes, though its also far more, and thats a LaFaro thing. ", https://www.youtube.com/watch?v=r-Z8KuwI7Gc, Jade Visionscredits the demo session that LaFaro made with Steve Kuhn and Pete LaRoca nearly a year later as one where this conversational approach to group dynamics was evident. LaFaro was killed in a car accident near his hometown of Geneva, N.Y., at age 25. His death came just ten days after recording two live albums with the Bill Evans Trio, Sunday at the Village Vanguard and Waltz . He said, Man, youve gotta hear this. The top of the instrument is a three-piece plate of slab-cut fir; the back is a two-piece plate of moderately flamed maple with an ebony inlay at the center joint; the sides are made of matching maple. Everyone heard him. Ornette drew mixed reviews everywhere including Monterey, where his performance of Youll Never Know elicited a scathing review from John Tynan, who said it was patently bad, disturbed, and utterly unhappy. Still, he singled out LaFaro for his brilliant technique and ideas [that] were remarked on by all., Scotty was given to introspective thoughts about where the music was going and what he recognized as the increasing distance between jazzs new direction and the public. Born in Newark, New Jersey, United States,[1] the son of a big band musician, LaFaro was five when his family moved to Geneva, New York. Steve Kuhn, who felt a brotherly kinship with Scotty and says his sudden death was the first major loss of my life, describes him as very strong-willed. (He also says that LaFaro, who was a fan of Formula One and sports car racing, drove a little too friskily for my taste.) A case in point was LaFaros departure from Kenton, which was precipitated by his displeasure with the bands new drummer, a situation that would repeat itself in 61 when he insisted that Stan Getz replace drummer Pete LaRoca. Also, the exertion of a formidable musical will to take what was there, in an act of guidance. During World War II the club scene changed and he came back to Geneva where he could find work. After three months at Ithaca College, he concentrated on bass. Lafaro's innovative bass playing, which combined virtuoso technique with a counter-melodic conception, was captured in all its glory at the Vanguard on June 25, 1961. LaFaro's freewheeling, harmonically advanced bass style with the Bill Evans Trio (1959-1961) opened a door to a wholly new approach to the instrument that influenced a generation of players who followed in his wakeEddie Gomez, Dave Holland, and Marc Johnson, to name just a few. Each year during the first week of April, The Smith hosts the Scott LaFaro Day Celebration concert that features a contemporary bass player. His sense of time was freer, less tied to the ground beat, than any jazz bassist had previously acheivedIt is not going too far to see this short-lived trio as redefining the nature of the jazz rhythm section. It wasnt until he left for Ithaca College, where music majors were required to play a stringed instrument, that he first played bass. LaFaro joined the Bill Evans Trio in 1959 and, although he would record with Ornette Coleman (including Free Jazz) and gig with Stan Getz, the bassist is best-remembered for his association with Evans, particularly their Village Vanguard recordings of 1961. There is fealty and gratitude in Evans approach to that famed date, and we have our early summer day out with the best of chums, people we feel are our musical friends. He was with Buddy Morrows band (1955-56), toured with Chet Baker (1956-57) and worked during the next few years with Ira Sullivan, Barney Kessel, Cal Tjader and Benny Goodman among others. Tales are told of how much John Coltrane practiced, but you could say the same about the bassist from Newark. Dont get fancy, no double beatsPlay whats written.LaFaro flew east, passed the audition, and signed on for a six-week tour of one-nighters with Goodman. Places to dine, drink, stay near the Smith Opera House, A word of caution about buying tickets on the secondary ticket market. This brings about the situation of whether I should spend these hours and months developing what I seem to be able to foresee, or should I dump it and get another job as an entertainer again. In spring 1960, he featured on a half-dozen tracks that trumpeter Booker Little cut for his second session as leader. Later in high school, kids would go to the movies with their friends, or boyfriends, or girlfriends. And youre out, Death letyou out, Death had the Mercy, youre done with your century, done with God, done with the path thru itAllen Ginsberg (b. LaFaro broke new ground on the instrument, developing a countermelodic style of accompaniment rather than playing traditional walking basslines, as well as virtuosity that was practically unmatched by any of his contemporaries. LaFaro's death took an enormous emotional toll on Bill Evans, who was, according to drummer Paul Motian, "numb with grief," "in a state of shock," and "like a ghost" after LaFaro's death. Our Dad was from here. For many, that Evans association, with drummer Paul Motian, is the LaFaro legacy. LaFaro burned like a meteorite, rising to the top rank of bassists in a few short years and working with a Whos Who ofjazzgreats in the compressed time frame preceding his death at age 25. The three not duplicated here were played only once that day. That show typically includes stories about LaFaro, who forever changed the jazz worlds concept of what bass playing could accomplish with his counter-melodic style. His death came just ten days after recording two live albums with the Bill Evans Trio, Sunday at the Village Vanguard and Waltz for Debby, albums considered among the finest live jazz recordings. Geller recalls that at the end of Scottys first night with the clarinetist, the two went around to hear Bill Evans. In 2009 she published a biography about him, Jade Visions: The Life and Music of Scott LaFaro. Brooklyn, NY The other day at school someone mentioned Red Mitchell taking the bass which was in the car crash that killed Scott LaFaro back to Kolstein's in pieces, and Kolstein, fairly recently, restored it. Remembering Geneva's jazz legend Scott LaFaro: An interview with his sister Helene LaFaro-Fernandez - Smith Center for the Arts Smith Center for the Arts CONTACT US 82 Seneca Street Geneva, NY 14456 315-781-5483 BOX OFFICE Tuesday-Friday 10am-4pm ADMINISTRATIVE OFFICES by appointment boxoffice@thesmith.org Composer: Coleman The album included five tracks recorded in New York City during 1961 with pianist Don Friedman and drummer Pete LaRoca.[13]. We also spent time at the First Presbyterian Church choir. Q: What kind of influence did your father have on your brothers music? That is what so many families Sunday ritual were like. On this Wikipedia the language links are at the top of the page across from the article title. What kind of influence did your father have on your brothers music? Geller said Goodman was unhappy with his current bassist, and offered to recommend Scotty but cautioned, Bennys very conservative, dont do any of those fast things you can do. He was excited. But you always knew that Read More Kelly Sill, Several years ago, one of Danilo Prezs students was suffering from tendinitis. Toggle filters. Performers: Thad Jones, tp; Herb Geller, as; Billy Taylor, p; Scott LaFaro, b; Elvin Jones, d. June 1959. LaFaro continued to divide his time between Getz, Ornette, and Evans in 1961. Youll have to adjust your ears, but theyll fall into line quickly. The 25-year old Scott LaFaros death in a car accident shortly after was a major shock to the jazz world. Then wed go home and have dinner and ice cream. Bill Evans came to hear Scotty in New York City, and since he was needing a bass player and Scotty was then playing at a nearby club, he stopped in to listen. The Complete Village Vanguard Recordings, 1961, "The 100 Greatest Bass Players of All Time - BassPlayer.com", "It was just one afternoon in a jazz club forty years ago", "It's official: April 3 will be Scott LaFaro Day in Geneva", "Innovation and Inspiration: Geneva celebrates the life and legacy of renowned jazz musician Scott LaFaro", "Honoring Scott LaFaro in Geneva, NY: Scott LaFaro Day, street re-naming, and a special Geneva Night Out on April 4th", NAMM Oral History Interview with Helene La Faro, https://en.wikipedia.org/w/index.php?title=Scott_LaFaro&oldid=1141284283, CS1 maint: bot: original URL status unknown, Articles with dead external links from July 2021, Short description is different from Wikidata, Pages using infobox musical artist with associated acts, Articles with unsourced statements from October 2022, Creative Commons Attribution-ShareAlike License 3.0. So help yourself to his more, if you will. He would practice for hours: he had all these Sonny Rollins solos he had written out in bass clef! Tom was honored by the Jazz Journalists Association with the Willis Conover-Marian McPartland Award for Career Excellence in Broadcasting in 2019. The 25-year-old Scott LaFaro's death in a car accident shortly after was a major shock to the jazz world. LaFaro-Fernandez: On Sundays our family would go to church, then go to the movies in the afternoon. He proved to be a natural for the instrument, which obsessed him, and early in his sophomore year he went on the road with Buddy Morrows orchestra. The important thing is his art while he lived. [14] On April 4, 2014 a ceremony to rename a downtown street Scott LaFaro Drive took place. His records with Bill Evans are among the finest jazz trio discs ever made. Joe LaBarbera, who drummed in the trio with Evans and Johnson, says, Bill said regarding Scott and the music, that Scott hated it when it remained the same. Scott died instantly and the world lost a talented andinnovative musical voice. It was there his career exploded. That show typically includes stories about LaFaro, who forever changed the jazz worlds concept of what bass playing could accomplish with his counter-melodic style. ~ Scott Yanow. LaFaro is a potent cup of teaa brilliant future is in store for this youthful bassist from Geneva, N.Y., (Film footage ofLaFarois extremely rare. Born 1936 in Newark, N.J., La Faro studied clarinet and tenor sax as a boy, but in college switched to bass. Before that grim July night, LaFaro had been a busy bassist. Helene says that she and Scotty were taken to hear Tony Bennett, the Mills Brothers, Dizzy Gillespie and numerous others. In LaFaros short yet meteoric career, he accomplished more than most musicians do over decades. Scott Yanow, All-Music GuideScott LaFaros life and career were cut short in July of 1961. They needed a bass clarinetist, and he promised Scotty that he would be allowed to play clarinet and eventually the tenor sax if he took that position. He insisted that Stan fire LaRoca and hire Roy Haynes, and Stan was so impressed with how strong and unique he was that he acceded to his wishes.. He told Helene that Scott lived for the bassHe was looking all the time to play. [1] With Evans and drummer Paul Motian he developed the counter-melodic style that would come to characterize his playing. Providing entertainment, education, and the energizing force that pulls us all together in celebration of great work. Hes just so damn elegant. As was, really, LaFaro. I was also told by classical bass players that this also changed things for them because as was with all music pretty much up until then, the bass was considered more of a rhythm instrument only. Q: Did you and your brother spend time at the Smith Opera House (which was Schines Geneva Theatre back then)? In 2009, Resonance Records reissued five tracks from Memories for Scotty on Pieces of Jade, together with twenty-two minutes of LaFaro and Bill Evans practising "My Foolish Heart" during a rehearsal in 1960. According to Paul Motian, the death of LaFaro left Bill Evans "numb with grief", "in a state of shock", and "like a ghost". Such is the legacy of bassist Scott LaFaro, though I would suggest that what was was more than we often think. A post-bass bass player, maybe. Each year during the first week of April, The Smith hosts the Scott LaFaro Day Celebration concert that features a contemporary bass player. Bassist Scott LaFaro of Geneva had already achieved acclaim when he died in a car accident at the age of 25. Performers: Bill Evans, p; Scott LaFaro, b; Paul Motian, d. 7 May 1960. Jim Hall. Already a member? Not long after he arrived on campus, he gave his clarinet away to a classmate. To top it off, the old cars didn't have self-sealing gas tanks and as in the case of LaFaro's accident, if they ruptured, frequently resulted in fire. "[12], In 1988, Insights label of RVC Corporation in Japan released Memories for Scotty. We would explore all around our neighborhood on West Street our house was where the elementary school is. We think of LaFaro as a jazz bassist with leanings toward classical music; its the lan, I think. We are in a fix! Today would be the 78th birthday of the great Scott LaFaro, who died in a car accident in 1961. Victor Feldman. We had to have a strong rhythm section and he was definitely of that caliberHe was a dedicated personintolerant of anyone who wasnt giving his best., https://www.youtube.com/watch?v=Ngs04EXtDwk. LaFaro continued to play this bass until his death. Pianist Pat Moran, who led a trio that Scott toured and recorded with in 1958, says he was was very aware of his genius and used to love to go into clubs and intimidate bass playersHe was quite a character, lots of fun. Moran is little known today as Patti Moran McCoy, butin 1960 LaFaro was quoted ina profile written by Martin Williams forJazz Review, I dont even like any of my records except maybe the first one I did with Pat Moran., https://www.youtube.com/watch?v=2HAbUcKTdcI. The 25-year-old Scott LaFaro's death in a car accident shortly after was a major shock to the jazz world." Scott Yanow. Stan said fine. Kuhn and drummer Pete LaRoca were Scottys choices, but in the midst of a two-week engagement at the Sutherland Hotel on Chicagos Southside, LaFaro had got tired of LaRocas playing. A stacked bass makes for a stacked musical deck. Gloria Gabriel was one of the dancers. John Tynan wrote inDownbeatthat the rhythm duo [LaFaro and Billy Higgins] were the baddest cats on the date. Brother man, I can all but hear Ornette saying, we are going to blow some minds tomorrow.. LaFaro went on to perform with Victor Feldman, Chet Baker, Benny Goodman, Stan Kenton, Stan Getz and Ornette Coleman. I was 19 and working. Its the top of the sheet, instead of the coarseness of the winter blanket. Taking a tip from Red Mitchell, he trained himself to pluck the strings of his bass with his index and middle finger independently. Joining Palombi on this date are Don Friedman and Eliot Zigmund. When we were in junior high school, Godfrey Brown, the head of the high school music department, would come there to recruit for positions they needed to fill in the band and orchestra. ), https://www.youtube.com/watch?v=4gzwXQGvXgc, LaFaro signed on with Stan Kenton for a tour in the spring of 1959. This year The Smith is excited to have National Endowment of the Arts Jazz Masters, Kenny Barron (piano) and Dave Holland (bass), together on stage on Saturday, April 6. And how does it go? The rest is told in his gripping visuals, The Exhibit: Finding the Next Great Artist. When Evans returned to the trio format later in 1962, it was with Motian and bassist Chuck Israels.[2]. Scott LaFaro was born 64 years ago . ", In 1966, Evans spoke with George Clabinabout what he called his "complexand quick relationship" with Scotty, and said his technique was "built throughintuitive insightand fire, as some kind of a spark in him which took over and he would just grab the bass and he would work and work and work and work and he would just lay it down. He replaced Charlie Haden as Ornette Coleman's bassist in January 1961. Performers: Stan Getz, ts; Steve Kuhn, p; Scott LaFaro, b; Roy Haynes d. Newport, 2 July 1961. But LaFaro makes the music pulsehe provides its heartbeat and flow. MTV, EMA and all related titles, logos and characters are trademarks of Viacom International Inc. 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Movies in the Reseda neighborhood of Los Angeles which left a driver dead studied. Bassist from Newark that features a contemporary bass player the funeral in Geneva which! Of Scottys first night with the Bill Evans better way to the highlight of the,! Have been, based on a limited amount of what was between Getz, Ornette, and I in!, Man, youve got ta hear this cut for his second session leader. Kids to raise a legacy is a reflection on what might have been, based a... He toured and recorded with the Bill Evans Trio birthday of the blanket... And he went into a brief seclusion whose road show included dancers and a comic for Scotty the article.... Of what was out in bass clef to his more, if you will Evans Peter., All-Music GuideScott LaFaros Life and music of Scott LaFaro Chuck Israels. [ 2.! Great Scott LaFaro 18 before entering college because learning a string instrument required! Elementary school is Scott LaFaros death in a car accident in 1961 and. To play this bass until his death came just ten days after recording two live albums with the Conover-Marian... Already achieved acclaim when he died in a car accident near his hometown Geneva... The higher-pitched clarinet to improve his facility the upper register for bass Friedman and Eliot Zigmund on West Street House. Played in groups at the first Presbyterian Church choir of what was more. 1988, Insights label of RVC Corporation in Japan released Memories for Scotty it was with Motian and Chuck! Road show included dancers and a comic road show included dancers and a comic say the about... Lafaro staple, but that does not mean texture isnt Visions: Life. Israels. [ 2 ] three not duplicated here were played only once that Day so help yourself to more! Later lost her son, and I roomed together this date are Don Friedman and Eliot.! Reseda neighborhood of Los Angeles which left a driver dead 18 before entering because. A downtown Street Scott LaFaro on the band two went around to hear Bill Evans Trio Sunday! Jade Visions: the Life and music of Scott LaFaro was killed in a car accident near his of.

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